A photographer takes the world's most extreme wedding pictures - by dangling newlyweds 350ft from a cliff.

Photographer Jay Philbrick and his wife Vicki take their clients for terrifying photo shoots on a cliff 350ft above the ground in Echo Lake State Park, New Hampshire. They lower their subjects down the cliff and photograph them dressed formally with a majestic sunrise in the background.

They test their new marriages to the limit by holding on for dear life while dangling from a rocky ledge.

Jay, 62, said: 'The ledge is about 30 feet below the top and 350 feet above the valley floor.

'We lower the bride and groom down to the ledge on one rope while they are belayed with another.

'The systems and back-ups are quite advanced, redundant, and safe. In fact, we are all probably at greater risk driving to and from the session than we are when cliff side.

'The bride and groom are lowered one at a time and tied into a hidden anchor on the ledge.

'Depending on the bride's gown she may wear it down during the lower or put it on while on the ledge. I don't really have to twist any arms to get models or subjects into the locations I'm interested in.

'We are sort of known for this kind of photography, so many come to us looking for something different.'

Jay, who lives in North Conway, New Hampshire, found his forte for extreme photography after spending years working as a mountain guide.

He claims not to go 'looking for trouble' but sets up shoots in the most weird and wonderful locations, including ice cliffs, steep snow slopes and even underwater.

'They are all fun but have their own special challenges, they usually come off without a hitch,' said Jay.

'We don't go looking for trouble. I was a climbing guide for a long time and have had extensive training in risk management, client care, rope work, avalanche hazards, and so on.

'So, these are all environments we have a lot of experience in. Once the couple is in place, I direct them into different poses and shoot from different locations and angles with different lenses to get a variety of looks.

'I am often hanging off the side of the cliff and am sometimes to the side, right above, or even on the same ledge with them.

'For most of the images we try to use posing and camera angle to hide the ropes and anchors, there is no Photoshop whenever possible.

'Sometimes something sticks out a little due to an oversight and I remove it in post [production], but I try really hard to just have all the safety gear hidden.'

For each 90-minute shoot, which take place in the White Mountains of New Hampshire, Jay works with his wife Vicki and they occasionally take a third mountain guide to help with lighting.